Showing posts with label cartoons. Show all posts
Showing posts with label cartoons. Show all posts

Friday, August 17, 2012

Hooray for History Fans!

And I mean fans in the fangirl/fangent/otakuish sense. Hmm. I just realized something. I used "fangent" to mean a tangent indulged in by fans (a more random and less canonical relative of the fan theory) but when paired with fangirl, it could also be a gentleman who is a fan. This all makes me very happy.

BUT!

Not as happy as this web comic, which I stumbled across by way of Twitter (because random steampunk tidbits soothe my fevered brow better than actual sleep {my brow is fevered because I recently became a computer teacher, while keeping my part-time job at Barnes and Noble.})

It reminds me in a way of Five Fists of Science, but, dare I say(?) better. I feel that there should be a question mark in the previous sentence, so I put one in. And I do dare say it, because FFoS is pretty entertaining, but kind of meh. Any hoo, "The Thrilling Adventures of Lovelace and Babbage" is about Charles Babbage, creator of the first computer, and Ada Lovelace, creator of the first computer program. Apparently they fight crime? It's fantastic.

Even more fantastic (but actually less fantastic inasmuch as it's actually true) are all the links to Primary Source Documents by about the protagonists. I dare not start clicking on any more of them tonight or I really won't get any sleep. And then I won't be able to set up the computers for next week's classes. Maybe I should give the middle school kids a project later to research the history of computers on the interwebz. Whoever can go back the farthest gets a prize.

Of course, depending on how broadly one defines computers, there were even earlier examples of machines that used basic logic, but not to do math. So, since a computer ought to compute, the Difference Engine was the first one.

Wednesday, April 18, 2012

Diesel Punk. Meh.

I really don't know how I feel about diesel punk. I suppose all on it's own I like it. It's the future that steampunk becomes, followed by raygun gothic. I love the Rocketeer, and Tale Spin. I love heavier-than-air flying machines as much or more than aerostats. But something about it leaves me cold.

I think there are two things about it. The first one is that's it's 20th Century. Sometimes steampunk depresses me a little, because those people in their shiny goggles and lovely clothes and expressions of wonderment are going to have to get to the 20th Century eventually, with its WWI, and its International Style architecture. The 70s happen.... I'm not a fan of alternate history, so there's no help for it.

Still, I find WWI fascinating, and not just because of the aviators. Scott Westerfeld's Leviathan series is a really cool fictionalization/steam/dieselpunkification of it. It has a bunch of the bad stuff in it, but it still retains a sense of worth-whileness and optimism and honor that most WWI stories don't manage. It was a human endeavor, fought with new machines and on a huge scale (although, honestly, hasn't anyone ever heard of the Seven-Years-War? That was really the first World War). Poetry came out of WWI.

Then there were the 20s and 30s. The golden age of aviation, an amazing era of exploration and prosperity (well, the 20s) and just a pretty cool time in general, unless you lived in the Weimar Republic... Strangely, there's not a lot of diesel punk in this era (Talespin and Rocketeer being notable exceptions, although the Rocketeer edges into WWII)

Freaking WWII. Now, I also, find WWII terribly interesting, but overdone. The History Channel, back when they showed history programs, knew of no other wars, and neither do game designers. Or diesel punk fans. My other problem with diesel punk is the fans. They are far more nitpicky than your typical steampunk, going on and on about this and that uniform and tank and gun and whatever. That's all well and good (I will geek out about military hardware all day long) but they ought to be nice about it, like steampunks. Where a steampunk will say "Ooh! What's that? That's awesome! Did you make it up? It's REAL? To wikipedia!" a diesel punk will be more like "They didn't have that yet."



That's the whole point of whatever punk! You cram cool shiny things together and try to figure out how they would work. It's supposed to be fun.

With some very well-done exceptions (most of which are not WWII settings), it seems like a lot of diesel punk is just WWII with more metal, a darker setting O_O and less human spirit. Where steampunk magnifies the heroic and creative person in an era that stood a chance of overshadowing people, diesel punk grinds and mechanizes the individual, rather than telling their stories.

It's all this:



and none of this.

No climbing Pointe du Hoc, no Audie Murphy, no Battle of Britain. Just CG models of extra big tanks, guys in gas masks, and hot SS dominatrices. Now, I know the SS had the snazziest uniforms in the war, and we all know how I feel about jodhpurs, but come on! Poetry came out of WWII too, but I'll save that for later.

Here's the example of nitpicking that prompted this post, a comment on my Talespin AMV, which I had described offhandedly as "baby's first steampunk". The comment was this (caps in the original):
Talespin is DIESEL PUNK as its defined using 30s era equivalent technology, clothing, and terminology. Most notable are Internal Combustion engines and Vacuum tube based electronic technology.

Sure, technically that's true. But who cares? Apparently I do, since I was annoyed enough to write a whole post about it. Anyway, "baby's first diesel punk" doesn't sound as good, and is not as understandable to most people. Maybe that's why diesel punk fans have a chip on their shoulder. They want to get out from under a genre that is all mushy and vague and anything-goes.

While we're over analyzing a cartoon, I might point out that Don Karnage's airship is like the one in Master of the World, which is Jules Verne. At 0:18 in the video you can see the steam engines on the side propellers, and they never specify what powers the upward-pointing rotors. I always figured it was either a later edition he added using piston engines, or else they run off the steam engines too, either using an electric turbine, or a simple belt drive. In the show, the Iron Vulture doesn't even make a typical airship noise (droning propellers) but rather the chugging of a steam engine. Many of his crew also wear older clothes - top hats, for example. He's a bit of a throwback in the setting of the story. The awesome level of detail Disney put into the show means you actually can tell how the tech works, and the pirates, at least, are still a little steampunk.

Is that the point of my video? No. the point is that Talespin is awesome, and Abney Park is awesome.

Tuesday, March 23, 2010

My heart exploded, I squealed, I fell over, and this is awesome!

Then I came back to life to post this:




It's the latest set in their series of collectible pins that appear in all the shops at Disneyland. There's more info here.

Now, there are two big, glaring problems here. No, it's not that big bad corporate Disney is commercializing Steampunk (get a haircut, hippie). No. Worse. Where the heck is Launchpad?!? And have they never heard of the Disney Afternoon?

Oh well. As I'll be in Disneyland in a week and a half, I may have to look for some of these, since they're awesome. Aviatrix Daisy and Sheriff Goofy are particularly cute, but I'm once again reminded of how uncomfortable it must be for a duck to wear heels... I wonder if any of them hung out with Scrooge and Goldie in the Yukon during the gold rush.

Saturday, March 20, 2010

Mysteriously Steampunk Old Cartoons!

So I was looking up "Come Take a Trip in My Airship" on youtube, because it's an awesome song, and a picture on deviantArt reminded me of it. It was a popular song in 1904, and it's a very cute love song. I found a few videos of a singer named Billy Murray singing it on old phonographs (odd, because the song is from a girl's point of view), and I also stumbled upon this cartoon.



There's this one too, which has the whole song with the lyrics, and is on acid. At 2:48, the adorableness begins, but the whole cartoon is pretty awesome. I like that the second cartoon has it as a duet. Johnny Cash sang it too, but not all the verses. Who would have been a good singer to sing the woman's part with Johnny Cash?

Here's another video using the song, with some really great old airship clips!

Wednesday, November 11, 2009

Baby's First Steampunk

Last night - yesterday morning actually (it's tomorrow again, if you know what I mean) - I made my first AMV. It combines a cartoon and and song that just need to go together - Abney Park's "Airship Pirate", and Disney's "Talespin", and it stars the airship pirate, Don Karnage



Talespin is one my favorite shows, and has been ever since it was on the Disney Afternoon, which may be the greatest block of TV programming in the history of the medium. But it is more than that. It is also Baby's First Steampunk. One might argue that that coveted title should go to Mike Mulligan and His Steam Shovel, given its sympathetic portrayal of steam-powered machines versus diesel and electric shovels, but we should probably not overanalyze these things. Also, while the story does center around steam power, it takes place in a contemporary setting and is not really speculative. No, Talespin is clearly the steampunk of choice for developing minds (as I replayed the first four episodes over and over narrowing down my selection of clips, I realized just how fully my subconscious mind is steeped in this show)

Now, I don't think the mere presence of airships makes something steampunk, and I'll examine this in more detail later. But the sense of adventure, and the overall look and feel, while a bit late - 1930s, probably - has a lot of steampunkness, especially the pirates. Don Karnage's airship, the Iron Vulture, is particularly interesting. If you look at it, it's not really a lighter-than-air ship. It has large gas envelopes on the sides, but it only lifts off when it uses the rows of upward-pointing propellers along the sides. Why is this significant? It's like the design of Captain Robur's airship in Jules Verne's "Robur the Conqueror", which was made into the movie "Master of the World" starring Vincent Price. Aside from that, look at the control room:

It has a certain flare. It reminds me of the Nautilus, and there are lovely giant pipes and gauges everywhere. If you watch the early episodes (I don't know if they continue later in the series), it doesn't make the usual low, droning hum we usually hear from airship engines. Instead it makes a steamy chugging noise like a train. That's just cool and it goes to show the amount of thought and research Disney used to put into their cartoons (do they even make half-hour cartoons now?)


The engines on the back even look like the boilers from locomotives, complete with smokestacks and steam domes. In fact, Talespin does what so many things we call steampunk don't bother with, and gives a nod to the way steam machines actually work. (more on that later too).

And of course, one look at the pirates themselves, with their googles, shabby top hats, vests, and variety of weapons, and it's pretty clear that they are very steampunk pirates indeed.